ON SOME OF THE OLD ACTORS
remember possessed even a portion of t fine madness about glory, or transports of tian incendiary at ty. times ting effect of trumpet. iff, no ation; and tleman in every movement. of passion est trutriking before time; never anticipating or leading you to anticipate. otally destitute of trick and artifice. age to do ts message simply, and y as t timent do its o prop or bolstering. o mountebank it; and betrayed none of t cleverness o ator from ion could divine more of ifice to do. you in possession of tery. timations to make t so mucer t of tands like a great up for mine Ancient, and a quantity of barren spectators, to s ts at. t go to riump tone about ter, natural to a general consciousness of po none of t petty vanity ain itself upon any little successful stroke of its knavery -- as is common ioners in misc did not clap or cros time. It a man setting s at a c otily pleased at being let into t; but a consummate villain entrapping a noble nature into toils, against ive. t of Malvolio, in t, y, of castings of t cer) tradition must be from tage. No manager in t to Mr. Baddeley, or Mr. Parsons: re, Jo it no derogation to succeed to t. Malvolio is not essentially ludicrous. by accident. ere, repelling; but dignified, consistent, and, for retcy. Maria describes of Puritan; and , or a lady Fairfax. But y and o ties of test. Still y, (call it ive to t mock or affected, objects to excite laugy is at t unlovely, but neitemptible. y, a little above ation, but probably n