After a pause Stephen began:

    -- Aristotle  defined pity and terror. I ed and said bluntly:

    -- Stop! I  listen! I am sick. I  last nigh horan and Goggins.

    Step on:

    -- Pity is ts tsoever is grave and constant in es it error is ts tsoever is grave and constant in es it  cause.

    -- Repeat, said Lynch.

    Steped tions slowly.

    -- A girl got into a  on, in London. So meet  seen for many years. At treet t of a lorry sar. A long fine needle of t. Sant. ter called it a tragic deat is not. It is remote from terror and pity according to terms of my definitions.

    -- tragic emotion, in fact, is a face looking toerror and toy, bot. You see I use t. I mean t tragic emotion is static. Or ratic emotion is. ted by improper art are kinetic, desire or loato possess, to go to someto abandon, to go from somets ic, are ts. tic emotion (I used term) is tatic. ted and raised above desire and loathing.

    -- You say t art must not excite desire, said Lyncold you t one day I e my name in pencil on teles in t not desire?

    -- I speak of normal natures, said Stepold me t w ce sce pieces of dried cowdung.

    Lynco a   taking ts.

    -- O, I did! I did! he cried.

    Stepurned toer, ansened skull beneated cap brougepile. too, ile-like in glint and gaze. Yet at t instant,  in t by one tiny , t and self-embittered.

    -- As for t, Stepe parenthesis, we are all animals. I also am an animal.

    -- You are, said Lynch.

    -- But