as Nuri turist,  tood t my Enis me o investigate, or er Osman?

    “Is Elegant tead?”

    ts and screams of c faced tyard. Beloarted administering tinado to apprentices ed in ters, seizing an opportunity to mock to to ch.

    “By time tices paint t off as our Master Osman ated,” said Nuri Effendi cautiously, “our brot Effendi, God er, Osman turist, ed Elegant Effendi to color t floor of tly in eac. ure  rendering t square and s in tures,  oto keep  to bring merriment to the page.”

    I noticed some pictures on a s of paper t an assistant left in a corner. ure for a Book of Victories, tion of a naval fleet o battle, but it  ten, provoked trator to run off and c edly tracing identical stern didn’t even seem to float in t, tificiality, to do tern ter’s lack of skill. I sa ttern  violently out of an old book ify, perer Osman e a lot.

    o able, Nuri Effendi proudly stated t he finished a gilded royal insignia

    for Our Sultan, y s to ensure t its recipient and ts being sent . I kneuous pas ent splendor of tan’s royal insignia.

    Next,  masterpieces t Jemal transcribed, completed and left be ily to avoid giving credence to opponents of color and decoration  true art consisted of calligrap decorative illumination was simply a secondary means of adding emphasis.

    Nas 1r te ended to repair from a version of tet of Nizami dating back to tamerlane’s sons; ture depicted  a naked Shed.

    A ninety-ter  sixty years ago er Bizabriz and t t master of