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“I AM CALLED “OLIVE”
antagonism, over er Osman. No t to fall on my s t, t treasurer, and under an, ance themselves from me, nay, from us.”

    “ ty ougo persist at t  an artist s illustrate just any scene for money alone. In place of s,  tories ougo be introduced aneo our books. e s forgo turists s loiter at t any old tions of indecency, for a fera kurusan ified.”

    “You’re incriminating yourself senselessly,” I said so  be done ing. “I’m convinced t telier could not ting suc rating a fes t  been depicted previously, at least no  as to be an occasion for enmity.”

    As  s. Elegant Effendi’s murderer ers in t led to tery. I  tinue ion, t  probably, t ed my o pick up some rating and painting. terfly, too, like most of tists en times   pictures t rary to  of vie skill?

    Nay, I t a little terfly, like ter illustrators, obviously o of gratitude: its to miniaturists do terest on t of Our Sultan, t source of extra income ime been tentions, and for t not only for t  my ility tourists ure enougo beelligently, to sincerely find a reason to admire a man to w.

    to relieve t topic of conversation  be revisited, I said, “Oo take t  as t it down.”

    Butterfly smiled sly seeto the cold.”

    Could tually kill a man, I  of envy? Mig  master, a perfect embodiment of talent, o murder? Age means not only straining oneself climbing  also, I gat being so afraid of deat means a lack of desire, entering into a slave girl’s bedc in a fit of excitement, but out of custom. In a burst of intu
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