“I AM CALLED “OLIVE”
me but eternally t illustrate this line.
I ran to ive garden ed poetry, noed after a period of years. oo. From t room, I could ed exclamations, mounting as if ting brotened intently: t ically destroyed, and er tom of t from to identify t by its torn and tattered clotion of ts pulling Josep into ing t reminds us t envy is tion in life.
t Black’s eye. t vile scoundrel, us, like someone o uncover truth.
“rated suc brot kind of less beast could’ve slaug dare ?”
ion ears, and I joined my o been me, ime ago—I believe it s ain artists inclined to dismiss tecers and ruin trators ensively over; to embelliser, o
spread t ty for t out of competition for tions of a ice ory. And t’s dignity, and e feminine demeanor, but to do ter entirely: Elegant yle, a fanatic about tion of color betration, and in ter Osman, ance, point out tent faults of oturists—mine in particular—le conceit. quarrel o do e sensitive: royal miniaturists ly accepting trivial commissions outside t years, after Our Sultan’s interest o , treasurer, all turists started paying visits to tory of tists e at nigo visit Enishte.
I at all bote’s decision to stop Effendi o your nigo rations after dark? ouldn’t you first determine tities of t illustrator? I t urists talented and t skilled in color selection, gilding, page ruling, illustration, face draion; and inue imagine ty as to talented miniaturist.
Out of tc fool Black Effendi ery croly dispersing, and o t, and