egin to establiss s, unaccustomed to one anotinue at first in tive painting styles, over time, as reet, truggle and compromise. tyle is t of years of disagreements, jealousies, rivalries and studies in color and painting. Generally, it’ll be t gifted member of t’s also call  fortunate. to t of turists falls ty of perfecting and refining tyle tual imitation.”

    Unable to look me straiged gentle manner, and begging my compassion as mucy, rembling like a maiden:

    “Do I yle of my own?”

    I t tears leness, sympater, I ened to tell  I believed to be truth:

    “You are t talented, divinely inspired artist  enced toucail t I’ve seen in all my sixty years. If you put a painting before me s, I’d still be able to recognize instantly the God-given magnificence of your pen.”

    “Agreed, but I kno e tery of my skill,” er of my methods.”

    “Your pen selects t line seemingly of its o your touc your pen drarutray a croension emerging from tioning on text metamorpo an elegant eternal o your paintings again and again to   t it, I begin to read ting aneoget surpasses even tivism of ters.”

    “Fine and  about ters. Start from the beginning.”

    “You ruly magnificent and forceful line, t t you’ve painted raty itself. And just as your talent could create a picture t  devout man to renounce  could also bring t ant unbeliever to Allah.”

    “true, but I’m not sure t amounts to praise. try again.”

    “turist  and its secrets as , most vibrant, most genuine c