o leave. Even   accuse me.

    “to blind himself is missing,” he said.

    “In all probability t it back in its place,” I said. “t!”

    up like a cs astride ,” yle of ters of .”

    ture as if , but  even taken to his hand.

    “Can you see trees in ttime darkness, appearing one by one as if illuminated from ars or spring floience implied by tation, t in te balance in tire painting’s composition?  as a  t ’s as if to remain ernally  emanating from ting’s texture, skin and subtle colors . You can see urned ever so sligourned toing and to us. t try to resemble exactly te to trary, t time opped for t picture. No matter  tory tell in ture, ternity te, s making any sudden gestures  bodies or even eyes. For t is frozen: tars, tering like ts of t time, remains fixed for all eternity as if nailed to tc. ters of ,  blackness ain, also kne if t blind ionless at sucration for days and  last mingle ernity of ture.”

    At time of tal of treasury er Osman ill staring intently at t t floated motionless in t if you noticed t ared at te oddly, as blind men sometimes incorrectly orient to them.

    treasury detail, learning t Master Osman ay inside and t Jezmi Ag ted to searc. o treets of Istanbul from tyard, I slipped into a passageerrifying object,  uck it into my sasically ran treets.

    treasury crated my bones t it seemed as tle tled over ty streets. As I passed t, fruit and vegetable sting do, I slos, carrots and jars in t by oil lamps.

    My Enisreet (I st