All artists, ttle mad. to a certain extent, a self-created myto keep ty a creative community. Yet, in tists, tric are alful and admiring of to be genuinely a little mad.

    t reated --  and admiration; for t t Jameson er.

    And ter   of cigarettes, or a beer if ed one. taking care of t around to doing  must also be admitted t he was a very fine bass player.

    In t, lay trouble. For , gleaming, voluptuous bass, ress to  eadfast passion.

    Jameson  man acles -sig any was a big baby for one so frail-looking as o carry.

    t beautiful bass in t of a full-breasted, full-ain primitive effigies of tially feminine was sripped of irrelevancies of head and limbs.

    Jameson spent nut colour, to an ever deeper, ever ricour,  placidly in take Lola from  padded rembling emotion. take out a special, soft silk  to  not-sig.

    treated like a lady. tarted to buy ea in cafés for a joke. Later it ceased to be a joke and became a . tra drink  ill on table, cold and untouched.

    Jameson alook Lola into cafés but never into public bars because, after all, s Lola a pineapple juice, altimes so take a glass of s festive occasions like Cmas or a birthday or when someones wife had a child.

    But Jameson oo muctention and  a man oo many liberties ious remarks.

    Jameson o strike a man once   Lola in Jamesons presence. So nobody ever joked about Lola where.

    But innocent young musicians  t to sour. So Jameson and Lola usually o trumpeter, Geoff Cla