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Overture and Incidental Music for A Midsummer Nigh
for co eat tative, not a quantitative, difference bet forest. t exist just because a ains ferees t and covers less ground. t is just one of t explain ts of the difference.

    For example, an Englisamorp, by definition, be trackless, alt mig t of a maze, and, even if you cannot find it for a  is truct of t unlike it; lost in t to be lost in t is to be lost to to be abandoned by t, to lose yourself utterly ee you o be committed against your o a perpetual absence; from y, an existential catastrop is as infinitely boundless as t.

    But te, a closure; you purposely mislay your emporary confusion of direction is in ture of a s full of nuts, your  feat forest is ed; ted.

    to a pleasurable titillation of mild fear; t rattle of an ascending p, velvet t;give you a frig;, but,  your spirit because t noture, part of t s of a temperate climate. (, igers burn brig Englisrees to terrify you. All is melloered ligility spirit, lurks in to lovers.

    Indeed, you mig as intentionally ;natural ;, s  an otherness.

    And alo eat! Motures greengrocery store; sorrel for soup, mus and traumn, a plenitude of nuts. Nebuc ite to grass.

    ttle closer to Paradise than we are.

    Sucrue S it is not time, self to be S no need to keep up appearances. No. t described is t of nineteentury nostalgia,  of tal beings ition of an earlier age . Or, raturing, castrating til to look just as tograp so enraptured Conan Doyle. It is Mendelssohns wood.

    quot;Enter ted ; ion?

    
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