e chooses his words carefully.

    IKE

    No. But I ttraction is too

    often mistaken for rightness.

    Attraction is very misleading. And if

    its mutual, its erribly

    distracting.

    MAGGIE

    Yes it is. And it doesnt mean

    anything.

    Ike nods as to a wooden fence. Ss her hand on

    s s to give her a

    boost over top. e see tanding cross

    Maggies face at tial contact. Neithem moves --

    for tricity is obvious.

    ANGLE ON: Ike. ed feelings are apparent. ith

    difficulty, Maggie straigh quickly remove

    their hands.

    MAGGIE (contd)

    (lightly)

    I suddenly forgot o climb a fence.

    t eac, then:

    MAGGIE AND IKE

    (breaking the

    moment jokingly)

    quot;toolsquot;.

    Shey see

    an old guy, LIONEL, wtling on a porch.

    MAGGIE (contd)

    Lionel, can I borroools?

    IKE

    Yeah, we need a half and nine-

    sixteenths.

    LIONEL

    Gonna bust out of another wedding?

    IKE

    Youre sure well known around here.

    EXt. FIS DAY

    Establis.

    INt. FISChEN (NYC) - DAY

    INt. IKES EL ROOM - DAY

    INtERCUt BEtEEN tO LOCAtIONS:

    Ike sits on ing his

    breakfast. cape again. Fisher

    is cooking an elaborate breakfast. Ellie rusting

    ready for work. o Ike.

    FIShER

    (into phone)

    Yes,  she may

    be running because ss attention...

    Negative attention i