in tion of t is but because t been able to turn out of trick of zeal picked up in struggling yout, in Synges plays also, fantasy gives t t, for t art, an over?poain virtues, and our capacity for s vision is t. Great art c first by its coldness or its strangeness, by  it is from ties it y, as t  and er ser does ure, reversed in a looking?glass t , not as it seems to eyes   as  morning; and range as tay rangeness, not strange to  made us sy t makes us share his feeling.

    to speak of ones emotions  fear or moral ambition, to come out from under to forget to be utterly oneself, t is all tal in trates in t a trute in abstract ecstasy, and touc is tory, its suspension in a beautiful or terrible ligo a t, and yet, because all its days  Day, judged already. It may saly as Dante did, or Greek myts, or Kerry and Gal ever after I s all  I kno Cino da Pistoia t Dante unjust, t Keats kne try men and  me; t I o my being, not my knowledge.