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NOTES
llery of artisans alike insisted on terature.

    After tess, and in this new form

    the play was revived in New York by Miss ycherley as well as being played a good deal in England and

    America by amateurs. No last I e revision to make it suitable for performance at the

    Abbey tre. t t  out

    sucage experience of some years sion; ts first form

    ten before I knere. I  the version

    printed in tic purposes ter reason

    t audiences??even at tre??are almost ignorant of Irishology or because a

    sage made te vision of armed angels upon a mountain?side impossible. the new end is

    particularly suited to tage, form can be broug in front of the prosceniurn

    and  of steps at one side up age at the

    opposite side. ting is from to the

    faces of tlights

    unnecessary. t Sed by a great grey curtain?a colour which becomes

    full of ricints under tream of lighe

    use of a gauze. t front scene before t is just long enough

    incidental music to allo be to be c interval in this

    s a little over an hour.

    t tre for t time on December 14, 1911, Miss Maire ONeill

    taking t

    of tess, and t scene from t of ts was as follows:?

    (MERCS rus. ALEEL crao t has fallen and gradually

    darkens as the scene goes on.)

    ALEEL. th,

    Fat Asmodel and giddy Belial,

    And all the air.

    But we creak so? Round and round,

    o and fro theyre running.

    as ts.

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