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I The Villa
t to he building.

    Sometimes at nig surns up o dra interpret or place.

    Sebook t lies on table beside  is t ories by us t o, cutting and gluing in pages from oting in ions—so text of us.

    So read ing.

    t imes reaco ty of Rome. t of Yugoslavia. tened are/or rifi,   live in t tense.

    tant  cion, t can knock do roz leaps into Afgan for 170 days —burying villages. t, dry gunis,  storm t dresses in brigres tan, self into tlantic.  Imbat, a sea breeze in Nort just sigo dust storms t come  in Egypt from Marco May, named after ty,” blooming for fifty days—t. too out of Gibraltar, which carries fragrance.

    t , wer .

    And t—a blast out of Arabia. t and cold souterly knoo Berbers as “t  of turkey, “poison and en in battle. As  plucks off rare petals, causing giddiness.

    Ote winds.

    travelling along ting off paint, telepransporting stones and statue tan blo, dust as fire, as flour, entering and coagulating in t of ted as far nort taken for blood. “Blood rains ed   in Portugal and Spain in 1901.” tons of dust in t as tles, underground creatures) ting on it. us records tion  t and marc in full battle array, only to be rapidly and completely interred.” Dust storms in t. In t t. In tzing Ginns.” t, is “copper-tinted. Nature seems to be on fire.”  So talk across the darkness.

    t. I am a man s skeletal sion like a sea in me. I am a person . So ory enters us. I kne depict s painted on skin t contain tes of the Crusades.

    So I kne
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