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II In Near Ruins


    urning and s for anot of lig emerges out of till an arro, and toucting of . to understand. to of irony, just a contract anding, so o t into t.

    Finding . ered tly passed t seventeentury murals along ts in a gold suit. t past guards o be revealed as an innocent. ripped completely and left hes in a flower bed.

    airs to to laug some privacy, so  at  ation, alfresco,  it? Or seduction a cappella~?

    One long air and one at ty yards aoo many yards arical , c suspicion and scornfully by tries, t a section of mural to peer at a painted donkey in a grove.  falling asleep, tumbles and immediately pulls ogeto a military gait.

    ray left o te from a tz ed saints on tuesday during to save  on tiles looking for a pograph of himself.

    s  as if looking for ends to use it as a key to let o t is being guarded. Laugaggers back, peeved at o t room humming.

    eps out onto tiful nig and so ter t. Printless foot. Sory old someone’s c this image of himself on a piece of film.

    In tely a. o c in order to feel anytouc even a grain of light.

    s to  and souc of marble. one ands ts sling. taneously as urns is seen by t.

    Caravaggio cs across from o rying to read rying to figure t to do. c, searcrace.  and looks back at less, clear as any river, unimpeac lost in to  tcilting ion as a dog one or pitc is not s across from  of t like, and in  look, slim, tanned olive from all t in try, she reminds him of his wife.

    Nourn around and evoke every
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