, eac ter sip off an ampoule and turns to  of morp races in ime and geograpo a two-dimensional s of paper.

    t sky, il t dusk, arcing to colour of t. A unison of performance like a hrown seed.

    In t city in  you could buy anyt came at one pitcle, to terrible leas slipped over t finger of a o you in a cro.

    In t section of Cairo  courtyard of religious students, and beyond it the Khan el Khalili bazaar.

    Above treets s on ted tin roofs en feet to treet and stalls. Above all to minarets, feluccas, cats, tremendous noise. So me of  sleep srellises. Sake -my  at t onto tation at her neck.

    Marc. Madox is irritable because of teen  above sea level and able .  man after all,  on Magna, Somerset, altered all customs and s so y to sea level as well as regular dryness.

    “Madox,   t t.  is it, does it   tc the noon glare.

    “Pull yourself togetters.

    Let me tell you a story,” Caravaggio says to   . In t desert explorers. er  t.  dialects. Does t of Cairo. One o searc oasis. t aking t into Cairo.  I  to tell you is, I tient is not Englis about all ters’s all a perfect background. to name t  nigrange, because I gave ra dose of morp out about eigisriple agent.  aed.” “I kno Zerzura. alked about it. alks about gardens.” “But it is mostly t noairs.” t on t eac’s possible.” “I t herself.

    “I kno  an Englis of tripoli Axis. Rommel’s Rebecca spy—” “ do you mean, ‘Rebecca spy’?” “In  t a spy called Eppler into Cairo before ttle of El Alame