igence out of Cairo and Italy for a  of tors, like some of t Caravaggio  like t.

    oo curious and generous to be a successful tole never came  Engliscillness as s appeared t  listening carefully to  ton looked and t alking.

    o ter. ed from ts of  of t, tlefield, and  naked into the cave.

    ings tle. takable posture of s t lake. o to t ill there.

    So a corner, ige material. o return for her.

    o die in a cave, s privacy, t in them.

    old  in Asian gardens you could look at rock and imagine er, you could gaze at a still pool and believe it  sness, rellis and  emporary. So love its sternness because of ing to understand  in its solitude. Seaming ness, climbing back in from  rainy nigting on ill , in order to  all. Just as sraditions and courteous ceremony and old memorized poems. Sed to die  a name. For o ors t actile, y in himself.

    Sioned the mediaeval dead lie.

    I approacing to undress ill ing to love her.

    is terrible in  ive for it. You can make love to a  on my asted and sranslate properly into anotation of intimacy the living.

    I lifted o my arms from turbed all t.

    I carried  into ttle from t in tones.

    My linked o rest on. As soon as I reacled . I o ion of t, fingers like starfish.

    e moved like to gully, ank of petrol I ruck. Because tent  it.

    “ hree years earlier?” “She had been injured. In

    even lovers at time. I suppose information of trickled doo oo o take o save o try and reacer