VIII The Holy Forest
safe is himself.
ree s one sick brancoo ree. It stood in Lord Suffolk’s garden on tol Cinel. In spite of sucy ure .
urban outside in at trees. But ices t tens if s colour o adore , so say. if s t tently at eyes but not register or stomac texture more taste or specific object.
a mout eyes and t seems to er depending on t of a room, te of ty or smugness or any ot on trum of cer. For intricate aspect effaces. an eye reveals. But o callousness, suggest tenderness. One can often misjudge an eye from its reaction to a simple beam of sunlight.
Everyt of an altering ions t alter ure, even y, te of lifeboats.
t of rising ing dinner in t available lig te evening to tient, or a lamp o forage any. But ty. to oucips.
“No more ligo of leaping doairs one o be stopped. S travelling tting turning Caravaggio in tomach.
S tennis stoned at t, ttoned as disorder.
On t from tced cyard. Four let you into at one time must ed room. tyard reminded o reveal pressed floo be glanced at during passing, never entered.
It wo a.m.
Eacered t doorrance by ty-six steps and tyard. As epped into tc into an alcove at c level ed. tron of tal. S catc trousers. trapped to c stood turban, t against t tibule like a spear.
tyard. o tcely sensed t it and tied it o table. curned to tyard. icks leaning against it. ered and closed t t moment snaking to prop ticks up against to t do the can of condensed milk.
Sed someto turned o