as it just s gave you suc, as my brotories and printing presses?

    You and ted us. ited t. o ten to w you people have done.

    oal set is at .  and puts tient,  t the door.

    One bomb. ther. hiroshima. Nagasaki.

    oo float intentionally into t. If reets of Asia full of fire. It rolls across cities like a burst map, t  meets tremor of estern wisdom.

    cient, earpening. t moves doo tops breat exact rigo the Enfield rifle. No waver.

    t him.

    Sapper.

    Caravaggio enters tt of to  from t of t, -angle position of to s.

    Kip, talk to me.

    No lig could fall bethe new revealed enemy.

    My brotold me. Never turn your back on Europe. tract makers. trust Europeans,  ting ao happen?

    is it? Jesus, tell us!I’ll leave you to s move again, Caravaggio. All tion from kings and queens and presidents... sucract order. Smell it. Listen to tion in it. In my country, her.

    You don’t know whis man is.

    t un t up tohe man’s eyes.

    Do it, Almasy says.

    tient meet in the world.

    o the sapper.

    Do it, ly.

    Kip ejects tridge and catc as it begins to fall. o ts venom collected. he periphery.

    tugs t of   to the floor.

    Do it, Kip. I don’t  to hear any more.

    o darkness, ahe room.

    t t of rils, fast and on.

    an Englishman.

    American, Frenc care. art bombing truman of t from the English.

    No. Not ake. Of all people he is probably on your side.

    doesn’t