ay, ers e, printers , and tably be overstocked   of a lifetime merely to learn tion at t day reads scarcely anyt revieion tle better talogue.quot;

    quot;My very good sir,quot; said ttle quarto, ya drearily in my face, quot;excuse my interrupting you, but I perceive you are rato prose. I e of an aut as I left tation, e temporary. t ed varlet, t knetle of Latin, and noto run try for deer-stealing. I to oblivion.quot;

    quot;On trary,quot; said I, quot;it is oo t very man t terature of ion beyond term of Engliserature. t tability of language because   ted ture. tic trees t imes see on tream, s, penetrating tions of t a, and , and pero perpetuity.

    Sucs of time, retaining in modern use terature of ion to many an indifferent auty. But even o say, is gradually assuming tint of age, and ators,  t up;

    tle quarto began to il at lengt into a plet of laug ;Mig; cried ;mig terature of an age is to be perpetuated by a vagabond deer-stealer! by a man  learning! by a poet! forsoot!quot; And  of laughter.

    I confess t I felt sometled at t of ermined, nevert to give up my point.

    quot;Yes,quot; resumed I positively, quot;a poet; for of all ers  cality. Ote from t es from t, and t and rayer of Nature, eresting. Prose   ers are voluminous and uns expanded into tediousness. But rue poet every terse, touc.

    ts in t language. rates t  striking in nature and art. ures of  is passing before ings, tain t, ts ted in a portable form to posterity. tting may occa