MARGARET’S STORY
nner of speaking. t old enougo be valuable for tant enougo be souger by collectors, my co me, even if, as often as not, tside. No matter ents, t touc t enougo e them down.
People disappear ually tural. Yet for some tion to tion. For in te tinue to exist. e can rediscover tone of voice, tten you. ter you. All t ure s is a kind of magic.
As one tends tend tten dead to resonate inside my , ters, irred by touc must be very lonely being dead.
Altouce preoccupations, I can see nonet I ting off tial. I am not given to acts of self-revelation; it rato overcome my ual reticence, I ten anyto avoid ing t matters.
And yet I e it. “Silence is not a natural environment for stories,” Miss inter told me once. “t t you.” Quite rigoo. So ory.
I en matters is t it to keep. It was mine.
My parents t evening. t go out often, and door to sit in Mrs. Robb’s kitc-door ly like ours but reversed, and t all made me feel seasick, so rolled around, I argued once again t I at a babysitter. I time my fato be persuaded Mrs. Robb eight.
t t seven o’clock, and I celebrated by pouring a lass of milk and drinking it on tion at my o Lea, old enougo stay a sitter, after t unexpectedly bored. to do off on a erritory of my neairs toilet. Everyt as it icular reason, I t rouble blos’ oo insubstantial to rest, and ture, s brittle delicacy, cicks if a . Yes, t in no time. I began to wisress.
Upstairs I peered into t o see ed to t, to t, I studie