DICKENS’S STUDY
I finising up t day’s notes. All dozen pencils noed to turn times get to t and dangle in a single drop all to t tonigired, and t breaking under t.
I t about tory. I o tor and of motives, but I suspected tervention in to no good.
t ot of t t speak properly; t understand ot t I didn’t kno toryteller t. In telling ale, Miss inter t illuminates everyt itself. S at t of tive. Sly s perplexed me be t o distance ory in this way?
If I o ask it, I kne one or tails of tory, and time to time s to, s meeting. “No cing. No looking aions.”
I reconciled myself to remaining curious for a long time, and yet, as it very evening t cast a certain illumination on tter.
I idied my desk and ting about my packing to find Judithe corridor.
‘Miss inter o see .“
te translation of a more abrupt Fetc.
I finis doo the library.
Miss inter ed in ion and t othe room was in darkness.
‘ould you like me to put some lighe doorway.
‘No.“ antly to my ears, and so I oers ars, ed in the mirrors.
from t Miss inter racted. In silence I sat in my place, lulled by taring into t sky reflected in ter of an ed, and I ed.
then she spoke.
‘ picture of Dickens in udy? It’s by a man called Buss, I believe. I’ve a reproduction of it some for you. Anyure, . ers from ing in ted beed do on t? ted er be as real as are sketc of a line o a gly nothingness.
‘ure no be so it seems to be an image of tudy door on t my