THE INHERITANCE
in, s? Sit do.”
And after a minute of silence shis.
‘Picture a conveyor belt, a , and at t a massive furnace. And on t are books. Every copy in tte. te.“
“Middlemarch, ” I supplied.
‘t t t to it is a to turn it on. And you can stop it. You o do is pull trigger. do you do?“
‘No, t’s silly.“
‘urns to On. t arted.“
‘But it’s too extreme, it’s ical.“
‘First of all, She edge.“
‘I don’t like games like this.“
‘Noarts to go up in flames.“
I sighed and closed my eyes.
‘uts coming up. Going to let t burn, are you?“
I couldn’t eady process to the furnace, and flinched.
‘Suit yourself. In it goes. Same for Jane Eyre?“
Jane Eyre. I hed.
‘All you o do is s. I tell. No one need ever knoarted to fall. Just t fe t of copies. You to make up your mind.“
I rubbed my t a rough edge of nail on my middle finger.
‘ter now.“
S remove her gaze from me.
‘. All of Jane Eyre will soon hink.“
Miss inter blinked.
‘t one person, Margaret. Just one tiny, insignificant little person.“
I blinked.
‘Still time, but only just. Remember, to live?“
Blink. Blink.
‘Last chance.“
Blink. Blink. Blink.
Jane Eyre was no more.
“Margaret!” Miss inter’s face ted in vexation as s t ched in her lap.
Later, , I t it spontaneous expression of feeling I er. It of feeling to invest in a mere game.
And my oe