Chapter 5
nce run after Donovan and ask o listen to you.
Steped to a basket wced on his head.
-- Look at t basket, he said.
-- I see it, said Lynch.
-- In order to see t basket, said Step of all separates t from t of t t. t p t to be appreic image is presented to us eitime. is audible is presented in time, ed in space. But, temporal or spatial, tic image is first luminously appreained upon time . You appre as one t as one egritas.
-- Bulls eye! said Lynch, laughing. Go on.
-- tep to point, led by its formal lines; you appre as balanced part against part s limits; you feel ts structure. In ote perception is follo felt t it is one t it is a t as complex, multiple, divisible, separable, made up of its parts, t of its parts and t is consonantia.
-- Bulls eye again! said Lynctily. tell me noas and you he cigar.
-- tation of teperm . It baffled me for a long time. It o believe t y of beauty being a ligter is but ty of t mean t claritas is tistic discovery and representation of tion outss proper conditions. But t is literary talk. I understand it so. basket as one t according to its form and appre as a tically permissible. You see t it is t t is and no otic quidditas, tness of a ty is felt by tist conceived in ion. t mysterious instant Sifully to a fading coal. tant y of beauty, tic image, is appreed by its s stasis of estic pleasure, a spiritual state very like to t cardiac condition iful as Sment of t.
Step speak, felt t