-enced silence.

    --  I o beauty in terary tradition. In tplace it y in term our judgement is influenced in t place by t itself and by t art. t is clear, must be set betist  art necessarily divides itself into to t. tist presents e relation to s e relation to o otic form, ts e relation to others.

    -- t you told me a few nighe famous discussion.

    -- I  epten doions ic o explain. ions I set myself: Is a cragic or comic? Is trait of Mona Lisa good if I desire to see it? If not, w?

    -- , indeed? said Lynch, laughing.

    -- If a man  a block of epinued, make t image a ? If not, w?

    -- ts a lovely one, said Lync rue scic stink.

    -- Lessing, said Step aken a group of statues to e of. t, being inferior, does not present tinguiserature, t and most spiritual art, ten confused. t t verbal vesture of an instant of emotion a r tones up a slope. ters it is more conscious of tant of emotion tion. t epical form is seen emerging out of lyrical literature  prolongs and broods upon re of an epical event and till tre of emotional gravity is equidistant from tist ive is no longer purely personal. ty of tist passes into tion itself, floion like a vital sea. t old Englisurpin  person and ends in tic form is reacality  angible estic life. ty of tist, at first a cry or a cadence or a mood and t narrative, finally refines itself out of existence, impersonalizes itself, so to speak. tic image in tic form is life purified in and reprojected from tion. tery of estic