des tion in ter, I noticed in otures t t and page composition repeated—even tation, trees and terra-cotta sed in different styles and colors. Once text ten out by scribes, trations completed and turning pages, ely different activities in completely different colors in tcan and

    s—ically, forever gazing at the same area below.

    t s and birds emerge out of t ox and startle t . I saer coppersmit before Our Sultan, its members  copper but never striking t . I saan in a ioners reciting s poems as ts; and aged locksmity of s and gearlocks as times and new doors.

    Butterfly, Stork and Olive ure t depicted to marc dropping to t of a tambourine played by anotain K?l?? Ali Pasured at sea to make an “infidels’ mountain” out of clay; o t, and an, ain” to demonstrate c tators applauded lion tamers  until its eyes s page, I saing Islam, cian infidel. I indulged my eyes at lengture of a barber suspended upside do onto a cart, as omer , dressed in red, aining fragrant soap, ing for bakser tity of t miniaturist responsible for the piece.

    “It is indeed important t a painting, ts beauty, summon us tooo for ted, and toion and faitity of turist is not important.”