, ecers. t is evident t tion of endless time t ed in ts of Arab calligrap itself not in ing, but in painting. t t trations in manuscripts and volumes t orn apart and vaniso oto survive forever in tion of Allah’s worldly realm.

    BAOnce upon a time, not so very long ago yet not so recently, everytated everyt for aging and deat time. Yes, ed tories and pictures, as if time did not floin Kory attests. After torous Faured Selatin Kortured o deat task in asserting y, according to custom, o visit te Selatin K to assemble neorious Selatin K of “Victorious Faurists set about replacing te Selatin Kerfully portrayed on t beautiful of manuscript pages—, starting to fade from people’s memories, rait of tering ty in locating t beautiful  instead of forcing istry, and resolving to ly, Neriman Sultan, te Selatin Kies, eary-eyed  one request of Fa tration of ed as Neriman Sultan and Mejnun as Selatin K be altered. In at least tained, tality t ried to attain over t be denied. torious Faed t and ers of t t one picture alone. tely made love and  period, forgetting t, came to truly love eacill, Fa forget t picture in Leyla and Mejnun. Nay, it  jealousy t made  rayed  gna  painted in t splendid book,  be able to join tals  ate at Fa t of copious lovemaking ick in ered te rating and painting, eur artist and couldn’t portray ampering and bee Selatin K to Neriman-faced Leyla, ratifying it as Fa it ed, captured and killed Faablisy over ernally beautiful Neriman Sultan.

    DJIMturists of Ista