nbul recount tall Me—known as Muly as an example of long life and blindness. all Me is

    essentially a parable of painting and time. tinction of ter, rated for more or less 110 years  going blind, ion. I’m not being ty  expressing my sincere admiration. tall Me dreyle of t masters of old, but even more so, and for test of all masters. e devotion to illustration and painting, s o become urist, te age and talent. As a miniaturist, for 110 years, iently rendered every trivial detail: grass drao fill up t repetitive strokes, brick ation and t-eyed, delicate-cens of t ion of one anotall Me e content and reserved and o distinguised about style or individuality. o be  time  a fixture in t rangled one anoturists moved from city to city like to assemble under ters, tyle of ts all Me dre t al and began to believe t rated. Perained t ed outside time and tributed  going blind—despite living  a ents uted miniaturists’ aring at manuscript pages—to time o flo ter iful slant-eyed, sed for a century: a part-C-Croatian sixteen-year-old apprentice in Saurists’ ly and understandably, o seduce tice of unimaginable beauty, as a true lover urists; o lying, deception and trickery. At first, ter miniaturist of Ked by tempts to catco tistic fas t also divorced ernal legendary days of old. Late one afternoon, staring dreamily at tiful apprentice before an open abriz  of sneezing,  completely blind. ter, y stone worksairs and died.

    “I’ve all Me of K I’ve never his legend,” Black said.