o move it back to arm’s length, her hand wavering.

    Sctle portrait of ients being broug into t in taff. Only till indoors. S t. o rying to recognize herself.

    Darkness betalk in his familiar slow drawl.

    “It y late at nig Craaurant. Do you remember, hana?

    Everyone o stand and sing a song. Your fatta, friends, and you said you ed to as  time. You ill at sche song in a French class.

    “You did it formally, stood on tep up onto table betes and the candles burning.

    “ ‘Alonson fon!’ “You sang out, your left o your . Alonson fon!  kno kno , but you kne.

    “t over so it almost touce in t you, miraculous  so distinct, flaions, and t touc almost toucood up at table into able. Like gloves.” “ jumping from a  old you about, ograp .” S me do it.” S of  pockets. S, but in t t luminous.

    As seps backe coming out of ill oo catco postpone t not his eyes.

    ogeto les in  she holds seems firm, healed.

    “I tell you I o negotiate for  me.” “?” “All to  move. Don’t drift a is a strange time, tment.” “Yes.” o cup ter-moon.

    “t of ly  it is no trick, t w looks like a gill is w away. owards her blouse.

    S in t ugs it softly towards him.

    “I toucton like t of you al Pimpernel, and in my dreams I stepped onto t roofs s, pencil cases, s music off some Forest o t you? You liked t tense?” “It seems unimportant notern of leaves rolls off him.

    “You used to be like tists  nig on in treet. Like trapped to t of liging doo ty