II In Near Ruins
parks. You took me to t place, t cafe” ock exc dropping and rising, five cents, ten cents. People unes. Do you remember?” “Yes.” “alk back ’s getting cold.” “t pickpockets are born t need to go as deep into a pocket. t distance of orees.
“ to you?” “to do it. t it renc. t in one of ts o table legs. off my t of t any poommasoni. S, kneionality or ient was sing. go of Caravaggio and cairs, ennis ser.
to tcore off a section of bread and followed airs.
As os became more frantic. epped into taring at a dog—tunned by to Caravaggio and grinned.
“I seen a dog for years. All ts . Seered to must o turned into a man. Caravaggio collected t the room.
I ient said, t t be Poliziano’s room. t is ter coming out of t ancient fountain. It is a famous room. t here.
It , long before t a nunnery. took it over.
I t protege of Lorenzo. I’m talking about
In Florence, in Santa trinita Cing of t, ay.
It midnight and he was wide awake again.
Okay, tell me, s, take me somec s name was.
It ics and ts and colonial padded stockings and er, not mucer, and ties. Poliziano translated e a great poem on Simonetta Vespucci, you know her?
No, said hana, laughing.
Paintings of ion at ty-tanze per la Gios-tra and tticelli painted scenes from it. Leonardo painted scenes from it. Poliziano ure every day for two ernoon. e wed and joined Savonarola.
t was my nickname when I was a kid. Pico.
Yes, I t ain in