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II In Near Ruins
parks. You took me to t place, t cafe” ock exc dropping and rising, five cents, ten cents. People unes. Do you remember?” “Yes.” “alk back ’s getting cold.” “t pickpockets are born  t need to go as deep into a pocket. t distance of orees.

    “ to you?” “to do it. t it renc. t in one of ts o table legs.  off my t of t any poommasoni. S, kneionality or ient was sing.  go of Caravaggio and cairs, ennis ser.

    to tcore off a section of bread and followed airs.

    As os became more frantic. epped into taring at a dog—tunned by to Caravaggio and grinned.

    “I  seen a dog for years. All ts . Seered to must o  turned into a man. Caravaggio collected t the room.

    I ient said, t t be Poliziano’s room. t  is ter coming out of t  ancient fountain. It is a famous room. t here.

    It , long before t a nunnery. took it over.

    I t protege of Lorenzo. I’m talking about

    In Florence, in Santa trinita Cing of t, ay.

    It  midnight and he was wide awake again.

    Okay, tell me, s, take me somec s name was.

    It ics and ts and colonial padded stockings and er, not mucer, and ties. Poliziano translated e a great poem on Simonetta Vespucci, you know her?

    No, said hana, laughing.

    Paintings of ion at ty-tanze per la Gios-tra and tticelli painted scenes from it. Leonardo painted scenes from it. Poliziano ure every day for two ernoon. e wed and joined Savonarola.

    t was my nickname when I was a kid. Pico.

    Yes, I t ain in
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