amiable smile and time a reply was accorded me.

    quot;ell,quot; y, quot;you see, in my opinion t at all in talking about music. I never talk about music.  reply, to make to your very able and just remarks? You ly rig, you see, I am a musician, not a professor, and I dont believe t, as regards music, t point in being rig depend on being rigaste and education and all t.quot;

    quot;Indeed. t does it depend on?quot;

    quot;On making music, ensity of , Monsieur. te  t a soul ter for it. But  gets into to ts t and t alone. Look at t t er a longisco laug is w;

    quot;Very good,  t only sensual music. tual also. Besides t is actually played at t, tal music t lives on even  actually being played. It can o a man to lie alone in bed and to call to mind a melody from te or tt anybody bloo a flute or passing a bo;

    quot;Certainly,  by many a lonely dreamer. Even t typist in est one step in aps ime to it. You are rig grudge all te music, e or Valencia. But e music from? t it from us, t must first  must  into t  and dream of it.quot;

    quot;Granted,quot; I said coolly, quot;all t  do to put Mozart and test fox trot on t is not one and ternal music or cuff of t is forgotten tomorro;

    one t I ting excited,  once put on  amiable expression and toucness to his voice.

    quot;Aly rigo say to your putting Mozart and  levels you please. It is all one to me. It is not for me to decide about levels. I s t, perill be played in a , I t of every z and fox tr